The strings are plucked. Gently. A rich, high-pitched tune resonates from its hollow chest. The pear shaped body releases a melodious sound upon plucking the strings. Regarded as the queen of instruments, the Oud, or Lute as it is generally known, is a non-fretted piece of highly ornate wood. Hadrawi’s Hooyoy La’aantaa, played on this instrument, strikes at the heart. It’s beat, rhythm and carefully chosen words bring it to life, breathing through the wind and pleasantly resting on your ears. I could almost feel the column of strings being plucked on the ivory Oud, as I repose in my cluttered room in some ravaged street in London, vibrating as they are struck and producing a resonating sound of great delight to the sensual ear. I pull the radio closer to my bed and wait patiently for the lyrics.
Hooyoy la’aantaa
Higgaad lama barteenooO’ mother without you
None would be lettered
As the music starts and the undulating melody is carried through the air, my mother whom I’ve left a long time ago comes to mind. Her ageing features and beautiful colour darkened by the sun into a chocolaty complexion are brought before me. Having been away from her for a very long time, this song reminds me of her and the time I spent in her company and the warmth of her care. The dark nights that we sat outside the tiny hut in Cal, talking, watching the brightly lit stars above as I lay in her lap came to mind. The sense of serenity and contentment I felt was without comparison. The vast territory of Cal consisted mostly of barren and desiccated terrain where nomadic settlers, like my family, dwelled.
Hooyoy la’aantaa
Hadal lama kareenooO’ mother without you
None would be able to speak
The smooth, mellifluous song of Hadraawi made the constraint of time and space disappear by propelling my mind at once, thousands of miles away from London, to the arid plains of Cal in search of a mother I had left behind a long time ago; and also to revisit past scenes of delight. I could almost feel the incense that hangs on the boughs of her tiny hut – the woven mats that made the roof, the comfy grass that carpeted the earth, the brushwood that held the wooden pillars, the flap of woven mat that made the entrance; I could smell the distinct dry-grass scent of her highly-decorated mats as I hear the song and the fragrance of the fertile earth and morning dew that envelops it. As night falls, and howling of the wind lessens, and darkness engulfs the surroundings, the family would form a circle around the burning logs of fire, gazing at the thick skewer that held the roasting lamb. And tales of our forefathers would be narrated before the meal.
Ruuxaanad habinoo
Kolba aanad hees iyo
Hoobey ku sabinoo
Hawshaada waayaaWhom you haven’t nurtured
And at times with a song
And hoobey not chanted
And misses your diligence
I remember the bright flames of the fire dying and the rest of the family slowly recoiling back into the hut, except for me and my mother who would be sitting beside the smouldering embers.
Hanaqaadi maayee
Hoygii kalgacalkee
Naxariistu hadataayHe will reach nowhere
O’ provider of affection
And compassion abound
And then the strings are plucked again, and the music travels pleasantly and the sonorous voice of the singer wafts into the air. Then I’d remember the songs my mother used to sing whilst tending to the herds of goats and sheep. On that torrid heat of August, I would sometimes accompany my mother to the arid plains and keep her company. I was very young by then and my job within the family circle was to tend to the kids and lambs. My father, though feeble, tended to the camels along with my brother, whilst the flock of goats and sheep were in my mother’s guard. Tall Trees with withered leaves served as our shade from the sweltering heat and by evening when the sun started to plummet down the horizon, we would make our way back to the hut. The enchanting trails left behind by the setting sun guide us to our hut and the quietude of the countryside coupled with the stillness of the unvaried cycle of life was something wonderful.
Hooyoy la’aantaa
Higgaad lama barteenooO’ mother without you
None would be lettered
And then the strings are plucked again, and serenity descends upon me. I lie on my back in complete tranquillity; harmonious respiration, a detached body buoyantly reposed and a dreaming mind. And as the song evoked memories of my departed childhood, it also recalled the ethereal world I’d created through poetic imagination. And the following poem, which I wrote upon seeing my mother after several years of separation, vividly appeared before me:
Have you ever cried tears of happiness
That on the cheeks do gently flow
Upon the sight of a special someone
Whom your life and joy duly depend
But separated by need and necessityLike a caged bird set free
Do your wings now feel the breeze
As they flap and flounder and finally fly
Chanting and chirruping for all years of solitude
Soaring and diving to your hearts delightLike a blind man with his sigh regained
Does your heart convulse in rapturous merriment
Has the greenness of the grass blinded you
Or the splendour of a flowing stream
Whose roar you’ve always heard but never saw
And then the strings are plucked again in the background. The chest of the Oud resonates throughout the room, filled with melancholic reminiscences. And the hollowness of the abyss of the heart is recollected thus; a poem floating in mid-air before it is disassembled into words, syllables and letters and finally vanishing into thin air.
Oh how this pains me mother!
This enduring absence from your eyes
And though dearly dissembled, this distress
Is easily discerned despite my disguise
And then the strings are plucked again. No chiming bells in the background, no excessive piano loops, no discordant drum beats, no cacophonous sounds; just simple, mellow rhythmic sounds deep from the chest of the Oud; the voice of the singer and the plucking of the strings in perfect harmony and the air gains a mildly gratifying feel as my heart, under the watchful eye of my mother, lies tranquil and my mind restful under the soft pillow as the shutters of my eyes slowly come together.

























